https://www.routledge.com/China-in-the-Eyes-of-the-Japanese/Xiuli-Wei-Yunxiang/p/book/9780367685843 The relation between China and Japan is one of the most important bilateral relationships in the world but how did the Japanese view China in ancient times? How did views change throughout the course of history? How could China’s image be improved in Japanese people’s eyes? This ...(展开全部)

https://www.routledge.com/China-in-the-Eyes-of-the-Japanese/Xiuli-Wei-Yunxiang/p/book/9780367685843 The relation between China and Japan is one of the most important bilateral relationships in the world but how did the Japanese view China in ancient times? How did views change throughout the course of history? How could China’s image be improved in Japanese people’s eyes? This ...(展开全部)

魏玛莎（Marsha Weidner），主要研究中国古代女画家绘画以及明代佛教艺术。现为堪萨斯大学教授。

Land of Plants in Motion is the first in any language to examine two companion stories: (1) the rise of an East Asian floristic zone and how the Japanese islands evolved an astonishing wealth of plant species, and (2) the growth of Japanese botanical sciences. The majority of plant species regarded as “Japanese” trace their origins to western China and the eastern Himalaya but ...(展开全部)

Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music - of parted lovers, long unseen rural hometowns and self-sacrificing mothers - evokes a direct connection to the traditional roots of "Japaneseness". Overlooked in this emotional invoca...(展开全部)

Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music - of parted lovers, long unseen rural hometowns and self-sacrificing mothers - evokes a direct connection to the traditional roots of "Japaneseness". Overlooked in this emotional invoca...(展开全部)

Preeminent Shakespeare scholar James Shapiro shows how the tumultuous events in England in 1606 affected Shakespeare and shaped the three great tragedies he wrote that year—King Lear, Macbeth, and Antony and Cleopatra. In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare’s great prod...(展开全部)

鲁思·本尼迪克特(Ruth Benedict)1887年生于纽约。原姓富尔顿(Fulton)，其祖先曾参加美国独立战争。她本人大学时期主修英国文学。1919年入哥伦比亚大学研究人类学，是Franz Boas的学生，1923年获博士学位。1927年研究印第安部落的文化，写成《文化的类型》(Patterns of Culture，1934年出版)一书。1940年著《种族：科学与政治》(Race：Science and Politics)，批判种族歧视。第二次世界大战期间从事对罗马尼亚、荷兰、德国、泰国等国民族性的研究，而以对日本的研究，即《菊与刀》一书成就最大。战后，她继续在哥伦比亚大学参加“当代文化研究”，于1948年9月，病逝。

鲁思·本尼迪克特(Ruth Benedict)1887年生于纽约。原姓富尔顿(Fulton)，其祖先曾参加美国独立战争。她本人大学时期主修英国文学。1919年入哥伦比亚大学研究人类学，是Franz Boas的学生，1923年获博士学位。1927年研究印第安部落的文化，写成《文化的类型》(Patterns of Culture，1934年出版)一书。1940年著《种族：科学与政治》(Race：Science and Politics)，批判种族歧视。第二次世界大战期间从事对罗马尼亚、荷兰、德国、泰国等国民族性的研究，而以对日本的研究，即《菊与刀》一书成就最大。战后，她继续在哥伦比亚大学参加“当代文化研究”，于1948年9月，病逝。

In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanes...(展开全部)